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The orchestral playing was great, with contrapuntal answering between parts heard in all its mellow clarity, and nice work from all the winds too (so often treacherous)—that I was able to hear this is a testament to the quality of this rendition.
Although can stand alone as a whole program, Maestro Griffith preceded it with a suitably moody account of the Tragic Overture, one that showcased the depth of the strings’ tone beautifully.
Then the massed international choir (288 by my estimate) took the stage for the main event, the consoling “humanist” (non-liturgical) Requiem Brahms composed, at least partly prompted by the death of his mother.
Maestro Griffith gave a very spacious rendition of the lyrical movements, not leaving any shaping unexplored.
Paradoxically, he drove the fugal sections (important portions of movements two, three, and six) quite briskly, causing a loss of some choral clarity and even a few coordination mishaps between choir and orchestra.